Le Moule à gaufres déjoue bientôt la surprise de son titre inattendu en brodant sérieusement et savamment sur ses significations : l’avant-propos « en guise de préface » convoque à la fois la nostalgie d’une sucrerie en voie de disparition, la gourmandise inextinguible de l’enfance et l’image des instruments de l’imprimeur. Il formule la promesse
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Après la représentation, que reste-t-il du théâtre ? L’émotion, mais aussi le désir d’un échange, d’une confrontation, d’une parole capable de prolonger autrement ce qui a disparu.Jacques Lassalle, nouvel administrateur de la Comédie-Française, dans l’adresse au lecteur qui ouvre ce premier numéro, forme le voeu que la revue sache inventer « un nouveau traité de
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Avec Panoramiques, Guy Hennebelle entend renouer avec la formule qui a fait le succès de l’autre revue qu’il anime, CinémAction : proposer sur un thème un dossier complet pris en charge par un responsable, entouré d’une équipe de journalistes, d’universitaires et de témoins. Mais cette fois, le domaine est tout autre: il s’agit des grands
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Journals in the Brussels International Center for Poetry The writer describes the collection of modern literary journals (4 000 titles from Belgium, France, Québec, Britain, Spain, Colombia, Argentine, Brazil, Portugal, Italy…), built up around the International Center for Poetry, established in 1954, and now part of the «International Department » of the Brussels Literature Archives
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Literary Journals in French-speaking Belgium – Part 1 : 1880-1914. 19th century Belgium saw a flowering of literary journals. Quantitively speaking, their growing number reflected the evolution of intellectual life in general, the increase of schooling, and a significant growth of productive forces. They also revealed the qualitative change which took place around 1880 :
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Orpheu no 3 : Galley Proofs Found in Oporto Two issues of Orpheu (1915), the journal of Portuguese futurism, were published during the lifetime of their editors – Fernando Pessoa and Mario de Sá-Carneiro. The third one, though ready to be printed, was not to go beyond the galley proof stage. Part of the proofs
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On Editing A Review This is a reprint of a series of considerations originally published in 1959 by Maurice Nadeau in Les Lettres nouvelles. Founded in 1953, it was one of the leading literary journals of the postwar years. He examines in particular what a journal should and could be in the late Fifties, inspired
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Anthropological Journals in Spain Cut off from its usual sources – Darwin-inspired positivist anthropology and folk studies – by the long era of fascism, Spanish anthropology reappeared in the Sixties, following the models developed in the United States, France and Britain. The writer describes the difficulties which academic anthropology journals must face because of this
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French Literary Journals – the 1990 vintage Starting from a presentation of the drafts and first issues of French literary journals founded in 1990, the writer offers a contrasting picture where literary and poetical history, translations, monographs and records from seminars have their place alongside literary creation, within a framework emphasizing the selective affinities of
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The Monks from Cœnobium Taking the journal Cœnobium (1906-1919) as his basis, the writer describes an original trend in Italian thought, hitherto neglected by historiography with a religious point of view and planned as a « lay monastery » after the famous Abbaye de Thélème », Cœnobium approached from an original angle themes such as
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